Poem by Clara Jones (USA) Published in The Ofi Press issue 49
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Tropics In Dry Season
The Corobici moves toward Cañas, south of Liberia, west of Arenal's rim round as a monkey's eye, a monkey Buddha seated on a scabrous limb of Andira blooming for bees and hummingbirds green as cilantro in mango cream coating crisp tilapia on a blue plate borne to America by Juan Heraldo's ancestors from Grenada whose African patron saint blessed every Acacia in Accra where Englishwomen sipped tea from Wedgwood cups while sons played with children of slaves in courtyards designed like Italian atriums, bocce balls no bigger than bread plates arranged for lunch in a white tent where Count Pietro blessed the marriage of his favorite daughter who ran away to the New World with a commoner who bought five hectares and grew tomatoes for the rest of his life while Cebus were sent to Victoria for her amusement like Darwin was amused by finches and Gray by mammals and Fischer by numbers before Mattias Kopfner renovated Axel Springer to sell “the art of fun” at Fondazione Prada, feeling an obligation to Milan and to Christopher Wool whose text paintings sell for ten million dollars though de Kooning painted with “doubt” before troops were sent to Eritrea—every day warmer when wet season turns dry and Tabebuia bloom in unison across deciduous landscapes. |
Clara B. Jones is a retired scientist, currently practicing poetry in Asheville, NC. As a woman of color, Clara writes about the “performance” of identity and power, and her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues. Her collection, Ferguson And Other Satirical Poems About Race, won the 2015 Bitchin' Kitsch Chapbook Competition.
Image: "Acacia" by Oliver Dodd.